Monday, 2 May 2011
Thursday, 7 April 2011
Saturday, 5 March 2011
a dead town
From the NYTimes, 22 February, original article here
GENEVA — Geneva’s counterculture may not be dead, but it is looking distinctly bruised.The city, known internationally for diplomacy, private banking, watches and highbrow culture, was for much of the last decade a hub for squatters, anarchists, electronic music and impromptu theater.
But recent years have not been kind to the alternative-culture scene.
“Geneva is moping,” Le Temps newspaper wrote in an article late last year. “It’s a town closed in on itself, it’s stopped dreaming.”
The malaise has its roots in an official clampdown on numerous squatter spaces in 2007 and ’08 that was led by Daniel Zappelli, the city’s chief prosecutor, or district attorney, from the center-right Liberal Party. For public health and similar reasons, other spots have closed since. Added to the city’s high rents, strict zoning laws for former industrial sites and the success of recently opened upscale private bars and clubs, the closures have severely curtailed choices for those on a limited budget.
“What happened with the closure of the squats was akin to a cultural brain drain,” said Albane Schlechten, who represents a union of independent cultural associations.The alternative spots — notably La Tour and Rhino — nurtured workshops, bars, theaters and clubs, giving rise to groups like Cave 12, whose electronic sound attracted visitors from as far afield as Japan, and hip hangouts like l’escobar. Artamis, a sprawling, informal cultural center housed the Théâtre du Galpon, a cinema and an art gallery, as well as bars and spaces for concerts; upscale apartments are among plans for the site. All of the venues are now closed.
The changes have put increasing pressure on Geneva’s last grunge-style culture center, L’Usine , on a former industrial site on the banks of the Rhone.
William Riceputi, 36, a teacher who helps to organize arts shows, screenings and gigs for new bands, said: “Many people have been priced out of culture. Young people are getting bored. There’s more frustration.”
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Monday, 28 February 2011
Sunday, 27 February 2011
Monday, 21 February 2011
barricada
Quando já não pudermos mais chorar e as palavras forem pequeninos suplícios e olhando para trás virmos apenas homens desmaiados, então alguém saltará para o passeio, com o rosto já belo, já espontâneo e livre, e uma canção nascida de nós ambos, do mais fundo de nós, a exaltar-nos!
(Mário Cesariny in Pena Capital)
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21:22
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Thursday, 17 February 2011
Wednesday, 16 February 2011
Friday, 10 December 2010
A desordem estuporada da vida
Excerto retirado de "Estilo" in "Os passos em volta", Herberto Helder
— Se eu quisesse, enlouquecia. Sei uma quantidade de histórias terríveis. Vi muita coisa, contaram-me casos extraordinários, eu próprio... Enfim, às vezes já não consigo arrumar tudo isso. Porque, sabe?, acorda-se às quatro da manhã num quarto vazio, acende-se um cigarro... Está a ver? A pequena luz do fósforo levanta de repente a massa das sombras, a camisa caída sobre a cadeira ganha um volume impossível, a nossa vida... compreende?... a nossa vida, a vida inteira, está ali como... como um acontecimento excessivo... Tem de se arrumar muito depressa.
Há felizmente o estilo. Não calcula o que seja? Vejamos: o estilo é um modo subtil de transferir a confusão e violência da vida para o plano mental de uma unidade de significação. Faço-me entender? Não? Bem, não aguentamos a desordem estuporada da vida. E então pegamos nela, reduzimo-la a dois ou três tópicos que se equacionam. Depois, por meio de uma operação intelectual, dizemos que esses tópicos se encontram no tópico comum, suponhamos, do Amor ou da Morte. Percebe? Uma dessas abstracções que servem para tudo.
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Sunday, 5 December 2010
sous sols


Sous Sols is the latest book from Italian-born, Geneva-based cartoonist Tom Tirabosco. In the book a girl finds herself lost in the LHC tunnel at CERN following the misterious disappearance of daylight. A scientist from CERN will help her find her way out by making her look for the exit in the only place where she had been avoiding to look for a long time...
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10:11
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